Starting from a template that already fits your industry beats starting from a sentence — and it saves the AI writing it all from scratch.
Guests order ahead for pickup, book a table and join as members right on the homepage; once your shop is connected, the menu and prices are the real ones.
Once a restaurant is connected, Dining also gives you
A whole business flow rather than a landing page: recruitment page, screener survey, eligibility decision, interview booking, appointment, interview summary, follow-up. Eligibility is decided deterministically on the server; the slots come from a real calendar.
Barbers, hair, nails and beauty. Services, listed prices and online booking, so clients book a time before they come in.
Small-group tuition from P1 to S6: a weekly timetable parents can filter by level, monthly fees up front, and every button leads to a free trial-lesson booking. Deep green with a highlighter-yellow accent and plenty of white space.
Opens with your film, then membership-card style pills, a service grid, packages and partner benefits. Warm sand and bronze, built like a digital business card.
Service bundles, destinations, a clear process and fees that say who charges what — with a detailed application and a verified “my requests” page.
Check-up packages, doctors and departments, the visit step by step, and a consultation booking. Calm sand tones, plenty of white space.
Open spaces and projects, a cooperation application that returns a reference on the spot, site-visit booking and the park's merchant directory. Forest green and plenty of white space; only facts the park filled in.
A cinematic full-bleed hero, a visit panel with address and hours, one headline figure instead of four stat boxes, and a real scannable QR. The sample is a scenic-area operator; it fits hotels, resorts and mixed-use venues.
The hero is the visit panel — where, when, how to get there — because whoever scanned the code is probably already in the mall. Below that: what is on the floor, what customers say, and booking a designer.
Healthcare. Departments that triage, a searchable doctor directory, patient information and online booking — every promise comes with its limits, including what the clinic will not treat.
An environmental portrait and three bookable sessions. The home page says who you help with what; clients book your time on the site, then find, reschedule or cancel it themselves.
A tall portrait with generous whitespace: quiet, unhurried. For consultancies, firms, design and corporate services — this business sells people, and the hero carries exactly one call to action: book a consultation.
Agenda, speakers and a sign-up form. Date, time and venue are stated up front.
Menu with prices, opening hours and a table-booking form. Works on a phone: see the menu, find the address, call.
Once a restaurant is connected, Dining also gives you
Warm editorial: a full-width photographic hero, a bento product wall and visiting details. For shops with few products and a long story.
Fitness, posture and rehab. Services, pricing and online booking — the booking form reads your choices back to you.
A sharp value proposition and a Get a quote button on the left, the production line on the right, then six product categories and a capacity proof block. For trade, manufacturing, suppliers and B2B wholesale.
For professional firms, independent consultancies and specialist teams. Says who you help, when clients come to you and what you do for them, with an enquiry form as the next step.
Services, fees and enquiries up front. Deep teal and generous whitespace — and a contact form that asks the two things you need before you quote.
Dark ground, oversized type and an offset wall of photographs. Work, studio and a project brief that asks for budget, timing and references in one go.
Products and production capability up front, with a quote form and case studies — buyers come here to ask for a price.
No photography at all: oversized type plus a column of checkable facts (founded, factories live, R&D share). Stock-photo handshakes cost credibility; this one earns it with typography and whitespace.
One goal: sign-ups. Features, pricing and FAQ, with a single primary action on the whole page.
For something that isn't out yet. Full-bleed brand colour, a scrolling strip and one email field — a single action on the whole page.
A poster-like hero on a coloured ground, plus syllabus, instructors and two tiers. For courses that run in cohorts with limited places.
A dark full-screen visual, a floating spec card, an oversized headline at the foot and a model switcher bottom right — what it looks like, how strong it is and how many versions, all in one screen.
Opens on one enormous number, then the cost breakdown and line-by-line spending — what a donor asks first is how big this is and where the money goes.
Wired to your team real customers, contacts and follow-up notes. Sign in to create customers, change stages and log follow-ups — data is written back to Infoholder, not held in the browser.
Wired to your team real business metrics: KPIs, trends and breakdowns across customers, tickets and approvals. Read-only, and anything that cannot be read shows an em dash rather than 0.
Wired to your team real tickets and approval flows. Sign in to work tickets, move their status and decide approvals — approvals run on the process engine, not on a status field.
A general-purpose page for high-end physical products with the full motion director: arrival, idle, timed beats, dwell, hotspots, drag to explore, and scroll settle.
A real pair of earbuds on a full-bleed cinematic stage: light sweeps across the shell, hotspots surface when you linger, a click pushes to macro. Scroll only changes chapters — it keeps moving even when you don't.
A real object in a dark studio: a turntable, a macro push-in and hotspots pinned to actual parts. Browsers that cannot draw it fall back to a poster rendered from the same model under the same lights.
A light, softbox 3D launch page: a vessel standing on a seamless sweep, with formula, ritual and sizes across three pages. Suits skincare, fragrance and everyday goods.
A panoramic hero that shows the room first: a sofa and coffee table in an off-white daylight space. The camera changes position around the room; the furniture never spins.
A cream jar centred and enlarged in a high-key studio. The pointer moves the light and the reflections, not the jar — the material does the talking.
A magazine spread: the object presses against the edge of the type area and bleeds right, the copy sits in a narrow left column. Detail, styling and checkout across three pages — for things that sell on taste, like bags and clothing.
An asymmetric editorial crop with the subject off to one side. Almost still — the camera only moves to a second setup once your hand has rested there long enough.